These drawings give a view into a subconscious world that seems foreign yet strangely familiar; where there is no divide between inner and outer, between the vast and the miniscule, or between the body and the earth. The forms are taken from the Australian landscape and are interspersed with the human body.

Their fleshy, seductive, sensual and at times erotic qualities stir the soul and have an organic and metaphoric language of their own. Just as nature constantly changes so do the forms: they swirl, undulate and contract with each gradation and line of the grey lead. They move and unfold over the paper, where one form evolves into another creating a soft and supple ebb or a tension of polarities.